Monday, 19 April 2010

Evaluation

In what ways does your media product use, develop or challenge form and conventions of real media products?
Our use of the femme fatale was mainly influenced by two films, “The Third Man” with the femme fatale “Anna” whose sophisticated style of clothing and elegance influenced us the most and the film “Pulp Fiction” and their
femme fatale “Mia”. We used a similar style to Anna Schmidt in “The Third Man”; we made our femme fatale independant and sophisticated; using corresponding
costumes and elegance. Such as her long coat which covers most of her body, her heeled shoes and the neutral colours that both of the femme fatales are wearing which is a deliberate contrast with the agenda of the femme fatale. We used the exact same shot from "The Third Man" when Anna Schmidt walks straight past the character Holly Martin at the end of the film. We done this to emphasise the fact that our femme fatale is independent and confident. We used the same name as "Eve" from "Once upon a time in America" for our femme fatale. We used a similar style to “Pulp Fiction” when introducing our
femme fatale. For instance we kept the face of our femme fatale a mystery up to the exchange of the envelopes to add a sense of enigma. Just like in Pulp Fiction we only let the audience hear her voice long while using extreme close ups to show only a few asects of her face. This is also because we used to snow to emphasise the mystery of our thriller, because of the idea that the snow covers up things in the mise en scene so using this technique to keep her face a mystery gives our thriller opening a sense of suspense. We thought about our thriller soundtrack for a long while; trying out different soundtracks that fitted our film and the actions of the characters didn’t seem to help us. We found it difficult to find a soundtrack without using copyright. So we researched into a few different successful thriller films, for example “The Third Man”, “Once Upon A Time In America” and “Thelma And Louise”. “Once Upon A Time In America” soundtrack inspired us the most because it’s highly rated and links well with the plot of the thriller. Both “Once Upon A Time In America” and our own soundtracks are evocative and romantic. We liked the idea of “The Third Man” soundtrack because of the contrast, the soundtrack is playful and somewhat upbeat; this indicates the character of Harry Lime. However throughout the film it is clear that this is soundtrack does not resemble Harry Lime’s character. For our sound effects we added sounds found from the website which included “footsteps in the snow” and a gunshot we done this to add realism to the action and give it a tense atmosphere.
Our editing consisted of mostly medium shots and long shots with few close ups, so the audience isn’t always involved with all the action, although on the vital elements of our thriller film we used close ups, for example when Eve is shot in the back and is lying wounded in the snow. We wanted to keep our thriller realistic so lots of close up shots of action and guns wouldn’t fit the agenda of the film. The tracking shots of the character “O-Ren Ishii” in “Kill Bill” inspired us to use this technique. We used the shots of Eve walking towards the camera, just like in Kill Bill. However still keeping Eve’s face out of the shot. In audience feedback, comments for this shot were very positive. Another idea that inspired us was from the thriller film “Phone booth” we used a close up shot/point of view shot of a mobile phone with an incoming call to create a sense of anxiety as the callers ID was shown as “unknown”. This was to draw attention to the specific conversation that Eve was about to have.
We decided to film our thriller opening in the Cathedral close because of its eerie presence which would reflect the classic nature of our film. The idea of the Cathedral being a religious landmark intrigued us as we were filming a crime thriller, the oxymoron of this is self – explanatory as throughout the process of the film the characters are betraying the moral Christian laws. “In Bruges” also made us want to film at the cathedral because of its Norman architecture, this is in order to give a sense of suspense. There is also a river featured in the film “In Bruges” this links with our film as the river is one of the most important signifiers as this is where our femme fatale is attacked. Audience feedback told us that the idea of setting our film at the cathedral was appropriate, as one of the audience members stated “good use of the cathedral” which is definitely what we were hoping for. The unexpected snow gave the mise en scene illusion and purity, which is in complete contrast to the characters. The snow also emphasises the vulnerability of the femme fatale whilst the spilling of the blood on to the snow also adds contrast. However the snow can also be seen as something fake is going on in the film as the snow covers up everything which leads to the characters covering up elements of themselves.
The ambient lighting of the film gave the impression of heaven as the brightness of the snow and the sky together reminded us of angels as angels and heaven are both associated with death we thought this fitted really well with our thriller opening.
The title of the film is “Eve” this can branch off to many different meanings such as “life” or “living” however we liked the meaning “creature of the night” which implies that our femme fatale is deceitful. This adds to the layers of the meaning within our thriller.

How does your media product represent particular social groups?
We immediately play on modern stereotypes of 21st century Britain in our thriller film.
We have represented women as naïve and vulnerable in our film. This is also how femme fatales are represented in thrillers such as “Once upon a time in America” and “Pulp Fiction” this is in contrast to femme fatales in such films as “The third man” and “Jackie Brown” who show an independent and strong side of women, however still being deviant and seductive. The main character for our thriller film is female. We made Eve have the same qualities as a traditional femme fatale with contemporaries. She is represented as a glamorous, elegant and upper class woman, this is due to her costume and general persona. We know this even before the camera exposes her face because of her well spoken, polite mannerisms during her phone conversation in the first few seconds of the production. The fact that she is smoking a cigarette is a symbol of her deviance and rebellious attitude. Using this prop associates with this archetype and is classic 1940’s fashion. The cigarette represents a particular social group as a large percentage of society can relate to this.
We stick to modern British stereotypes in both of our male characters as well. Harry conforms to the trustworthy, high earning, high social standing stereotype. He is only shot in the film once, when he is involved in the envelope exchange with Eve. Even with only a glimpse of this character the audience can establish an impression of him. As he has a smart appearance and is of obvious importance to the plot.
However “unknown character” conforms to the low social standing, low earning stereotype. This is also portrayed by his costume and shot choice. The tilt shots used for this character gives a sense of distortion and instability.
The tilt shots in “The Third Man” are a strong feature and connote confusion and disorientation. The establishing shot of Harry Lime is a tilt shot, suggesting his skewed relationship with morality.
We have given Eve the lead role in our film to challenge the male domination of male characters in this genre, for instance “Pulp Fiction” – Vincent Vega and Jules Winnfield and “Reservoir Dogs” – Mr. White, Mr. Orange, Mr. Blonde.
Our aim was to represent Eve as a believable young woman who is able to eventually look after herself as “The Bride” does in “Kill Bill 1” and “Kill Bill 2”.

What kind of media institution might distribute your media product and why?
The kind of media institution that would distribute our film if it were completed would probably be distributors that would have already distributed films that have inspired ours. Such as “Once upon a time in America” and “Pulp Fiction” which have previously been mentioned in this evaluation. I researched “Once upon a time in America” and “Pulp fiction” to find out what companies distributed the films. I found that
Once upon a time in America had many distributors from all over the world, including “Warner Bros.” From France and “Warner bros. Pictures” from USA. Pulp fiction had distributors such as “Miramax films” from USA and “Buena Vista Home Entertainment” from UK. Which are both mainstream.
However if our opening was completed to a hour or longer film then Working Title would also be likely to distribute our film because the company like to develop on new films that may be successful, whilst encouraging British talent.
When I researched thriller films that are most like ours it displayed nothing about being viewed on television so I researched what channels show what sort of programmes or films. BBC1 show more of a sports and news variety which is aimed at a more older audience. BBC2 show documentaries and more programmes that you would find during the day, for example “Escape To The Country” or “Natures Top 40”. ITV show reality shows and quiz shows like “The Jeremy Kyle show”, “Dancing on Ice” and their most popular programme “Coronation Street” This channel do not normally show films. Channel Four shows the most popular shows on television, which are mostly aimed at a young audience. This is because of the connections this channel has with E4, More 4 and Film 4. I think that if our thriller opening was made into a succesful thriller film it is most likely to be viewed on channel four as that is the channel that show a variety of films because of the links with film 4. Our thriller film would be scheduled for after the watershed (after 9pm) because of the scenes of violence.
The thriller films that are similar to ours were shown at multiplex cinemas instead of small cinemas or art house cinemas. This concludes to our film would be more likely to be shown at a more high budget cinemas rather than art house ones.
However, it is very unlikely that a mainstream distributor would distribute our two minute thriller opening. Our opening would more likely to be shown at short film festivals such as the London short film festival or short film competition websites that can be found on the internet. There are such websites which allow undiscovered film makers to show their work, which is normally a short opening or a short film. For instance 'Filmaka - Global Digital Studio'. The most likely exhibition of our two-minute film is for it to be shown on youtube. This is because youtube allows anyone to view each video. Youtube is free and very popular so it is very likely that a two-minute film would be viewed many times.

Who would be the audience for your media product?
On IMDB I researched into thriller films that inspired us the most with the making of our opening crime thriller to find out the demographic ratings for each film. Each film had the same highest user ratings, which were males under 18. However the females user ratings were much lower than the male user ratings for each film. This could suggest that this is because women normally find crime thrillers less appealing because the action is revolved around the male characters.
Most audiences who view films inadvertently take an immediate liking to the main character this is because the director uses ways for the audience to relate to this character. Because of this we believe that the user ratings for our film would be in contrast with the outcomes of the user ratings for the thriller films that influenced our film.
Because our main character is a young female and camera follows her throughout the entire opening of the film, capturing everything that she does until the gunshot at the end of the opening.
The target audience is primarily females. Females estimated aged around early 20’s would be the most likely to have the highest user ratings for our film because of the strong link to the femme fatale. Our target audience (aged 18-29) would enjoy television programmes such as “Sex and the City” or “Eastenders” Because “Sex and the City” is based on four women living in New York, this programme relates to many women because they have story lines which generalise the majority of women, for example boyfriends, husbands, shopping etc. “Eastenders” because it is about a small town in London which is based on families, friends and daily life. Which is also something that many women can relate to.

How did you attract/address your audience?
As stated before in this evaluation we were mostly aiming at 18-29 year olds, because this is women who could identify with the main character Eve. Which is a large quantity of people that vary from students to parents. This can be difficult as categories within this age group may have completely different views.
I think that the fact that our main character is female would attract half of the target audience just simply because of the gender. At the very beginning of our thriller film shows a shot of Eve (femme fatale) smoking a cigarette, to show impatience and that she’s a risk taker this can relate very well to a lot of our target audience.
The fact that the thriller has been filmed in the snow should apply more to our audience, as people that are aged 18-29 seem to appreciate the snow more than older aged people do.
Our linear narrative structure is appealing because it gives the audience the pleasure in watching events. The violence at the end of the opening, it’s a great cliff-hanger and young people enjoy action based films. Our audience feedback told us “nice idea of the opening eye at the end” this made us realise that the target audience would like the idea of the twist at the end of our opening and most people would want to know if Eve survives, like the girl in “The Girl With The Dragon Tattoo” seeks her revenge.
The mise en scene is also appealing with its medieval location, which represents British heritage. If we completed our film, it could encourage tourism to Norwich. As a completed version most of the action would be in and around medieval Norwich.

What have you learnt about technologies from the process of constructing this product?
We all learnt lots throughout the production of our thriller film.
We all developed shooting techniques and editing knowledge. We realised how to create a good mise – en – scene and use the natural lighting we were given to our advantage.
We always made sure we were trying out different shots for the significance of the mise – en - scene. However some of them did not work with our thriller so we just kept to the ones which did fit. We learnt that the more close – up shots of our characters and important aspects of our film would help the audience understand the narrative better and keep up with the film.
We learnt how to make our thriller film authentic and how to create different thriller conventions to connote certain aspects of our film.
During the editing we learnt how to fit certain sound effects into the specific place working around the soundtrack. We also learnt how to use different transitions to create a more thriller feeling to the film. However the editing became quite simple to us after we had understood the program and the controls.
We used a digital camera for stills. We thought that using a digital camera would be the best option because it allowed us to immediately review our footage which was helpful during production.

Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
We all feel like we have developed since the making of our preliminary task, however the preliminary task was at the beginning of year 12 and we hadn’t learnt or understood key techniques until we started filming for our thriller film.
The shooting for our film was more complex than the preliminary task and on a few occasions we had to refer back to small bits of information that we learnt during the lessons.
Mostly I have learnt that you always have to shoot the same shot many times to get the perfect shot.
When we had finished the filming of our preliminary task we had to edit it. Which is something that none of us in the group had done before, however we were at an advantage when it came to importing the preliminary task on to youtube as Aaron already had an account.
Each of our contributions acted as a major part of our thriller film opening. Alice contributed to the filming and directing of our film while Dan was playing the role of two parts and took control in the editing as he knew all the features. My contribution was to film and direct along side Alice.
The strengths of our production is that the narrative structure is strong and has had positive feedback. However the weakness of our production is that we didn’t have enough close – ups of the action to create claustrophobia or to get the audience involved.
In conclusion we all learnt a lot during the process of production and editing.
If I could do it again I would remember to shoot the same shot more than once to get the best result overall.

Wednesday, 7 April 2010

How we used our audience research in our thriller opening

In our first audience research i found out how people identify if a film is independent or mainstream. I showed each person the "London to Brighton" trailer and the "Kill Bill" trailer and asked them which one they think is independent and why. Most of the answers said because the independent trailer looks more authentic and there are no well-known actors/actresses or well-known locations. For our thriller opening Alice, Dan and I applied this to our thriller by using an authentic feel to it. The most recognisable feature is the snow. We used the snow very wisely in our thriller to create the realness we wanted.

In my second part of the audience research task I asked a handful of friends and family members where they find out about film releases and how they view films. I always had in mind during this question of the audience research task that a lot of the public view films and entertainment through the internet so i had to think about who i was going to ask regarding the persons age and gender. I feel like i recieved a good general response from all ages. I gradually realised throughout this task that the people who are older seemed to have less knowledge on where to find films or whats a good film at the moment. The younger ages told me that they know exactly where to find the film they wanted to watch on the internet. Could this be because of the lack of the illegal piracy? the consequences of the illegal downloads is too easy to avoid. For our thriller film we thought about making a advert as if it was a real film being shown at a real cinema. We collected our audience research results and tried to apply the most important parts to our thriller advert. We then realised that what we were planning on taking on was too much as well as filming the film and editing the piece so we abandoned the idea of advertising our thriller opening.

The next part of the audience research was to find out the audiences expectations of the sub-genre: Crime thriller. I asked three different people, two males and one female. One male who is aged 18 replied that he would expect guns and violence to be in a crime thriller. This can be seen as a traditional male response however without guns and violence the crime thriller would not be a crime thriller itself. The other two answers were somewhat similar, they both said they like thrillers that have twists and leave the audience in suspense. We made sure we applied these things to our thriller opening. We used guns and violence in our thriller when the femme fatale "Eve" is shot unexpectedly. We used many twists when we shot our femme fatale and we left the audience in suspense when "Eve" opens her eye at the end of the opening.

Another question I had to apply was "where would you expect a crime thriller to be set - inner city, suburbs, countryside, isolated, hi-life or low-life" each person replied with a similar answer which was either "inner city" or "low-life". Me, Alice and Dan immediatley decided that we had chosen a good location for our thriller. One answer said that "crime thriller are mostly always set in inner citys to show distortion" I agree with this as it shows great understanding of the thriller convention.

My final piece of the audience research was "what do you expect of the femme fatale in thrillers" each person said they expect the femme fatale to be alluring and seductive. We applied this to our thriller as our femme fatale is glamorous and elegant. Somebody also said that they like it when the femme fatale stays alive because is creates tension throughout the film. In our thriller film we made our audience believe that our femme fatale "Eve" was killed to create one twist, however we made another twist on top of that and showed that our femme fatale wasnt really dead. This created a suspense to our opening.

Friday, 19 March 2010

Audience Research

What do you expect of the 'femme fatale' in thrillers?
1. Gender: Male
Age: 21
Answer: I expect the femme fatales to be seductive. Most femme fatales get killed during the film to create a twist but i like it when they stay alive. Like in Jackie Brown.
2. Gender: Female
Age: 17
Answer: I expect the femme fatale to be elegant and alluring. To be more flamboyant than the other characters.
3. Gender: Female
Age: 19
Answer: I expect the femme fatale to be independent. I enjoy it when the femme fatale is a golddigger because it adds humour.

Audience Research

Where would you expect a crime thriller to be set? - Inner city, Suburbs, Countryside, Isolated, populated, hi-life, low-life.
The Da Vinci Code - Example of crime thriller
1. Gender: Female
Age: 16
Answer: If i was to watch a thriller that was set in inner city or low-life i would be able to identify it as a crime thriller. When directors try to make their film not like the traditional thriller film it can sometimes seem too fake.
Inner City X
Suburbs
Countryside
Isolated
Hi-life
Low-life X
2. Gender: Female
Age: 20
Answer: I would expect a crime thriller to be set in low-life. Although i do like films which are set in isolated places like the countryside because although it's a big space it can give a feeling of an enclosed place because of the vast isolation.
Inner City
Suburbs
Countryside
Isolated
Hi-life
Low-life X
3. Gender: Male
Age: 29
Answer: Crime thrillers are mostly always set in busy inner cities to show hustle and bustle and distortion. I always enjoy thrillers which have traditional thriller conventions.
Inner City X
Suburbs
Countryside
Isolated
Hi-life
Low-life

Thursday, 18 March 2010

Audience Research

What are the audiences expectations of sub-genre crime thriller?
What are you're expectations of the sub genre - crime thriller?


1. Gender: Male
Age: 18
Answer: I would expect guns and violence to be in a crime thriller. I would be disappointed if there was not much action in the film.

2. Gender: Male
Age:15
Answer: Crime thrillers are my favourite type of film so i always expect good things. I have been let down by a few though. I am disappointed if the film doesnt have a suspense to it.

3. Gender: Female
Age: 45
Answer: I dont know much about thrillers. I like thrillers where theres lots to think about and the plot twists and turns. Like in Pulp Fiction. I like independent films mostly, this is where the sense of the film being authentic comes from. I feel like the thriller could be true.

Saturday, 13 March 2010

Mock essay

This is the result of my mock essay done on the thriller film "The Sixth Sense"

Our shooting scedule

This is our shooting schedule.
We used a shooting schedule to help us with our organisation while we were in the process of filming.
It helped each person remember their responsibilities and where we all had to be at what time.
This helped us a lot with our planning.

Storyboards

Storyboards:



















responsibilities while filming our film

Responsibilities:

Me: Contributing to the filming and directing of the thriller film. Also the editing when we finished filming.
Alice: Contributing to the filming and directing of the thriller film. Also the editing when we finished filmed.
Daniel: Playing the role of "Harry" and "The unknown character" and also the editing when we finished filming.

Costumes


Eve: Eve is dressed in a long coat which covers her body and down to her knees. She is wearing dark ankle - height, lace up boots. She has long dark curly hair which emphasizes her glamorous look. Eve's style is sophisticated which I suppose you can say is a 'typical' femme fatale approach, for example the femme fatale in "Once upon a time in America" has a glamorous approach.
Her beauty and sexual presence helps her lure people into compromising positions and this is done to create power.




Harry: Harry is also dressed as sophisticated. He is wearing dark, smart trousers with a buttoned coat. This is to make Harry look 'normal' and disguse his real reason to why he's there.
His height shows powerfulness and his posture makes him seem important. The black outfit connotes sadness and general negative signifigance which is in contrast of the white snow which shows purity.






Unknown character: The unknown character is dressed in black. This is also to connote a negative view on this character. The unknown character uses his hood to hide his identity and his criminal erinds.

Plot to our thriller film

Our narrative structure:

  • Eve (femme fatale) lights a cigarette while she is waiting for a phone call.
  • Eve recieves the phone call and dialogue is exchanged. Eve says "I'll be there. Two minutes"
  • All shots of Eve are to keep her mysterious character so the shots are only glimpses of her - not showing her face; as an intertextual reference to the introduction of Mia in Pulp fiction.
  • She puts the cigarette out and begins to walk through an open gate and down towards the planned meeting point.
  • She approaches a male character, Harry. Who is standing beside a lampost (which is in reference to the thriller film "The third man" which has a shot of the femme fatale standing next to a similar looking lampost) He hands her an envelope and they share no more contact.
  • She walks on and towards the river.
  • While she is walking, many point of view shots are established to show that someone is following her.
  • Eve is oblivious to this and carries on walking forward.
  • As she walks below an arch way it shows a point of view shot of Eve and a gun is raised in the view.
  • As Eve walks out of the arch way she is shot (as she went from being in the light to being in the dark and being in the light again, the darkness is suggestive that something irregular was about to happen)
  • As the camera shows Eve lying on the snowy floor with blood around her head a character comes into view and slowly takes the envelope Eve is holding in her hand and he walks away.
  • The last shot shows Eve's hands twitching and her eye suddenly opening.

Friday, 26 February 2010

Memento Film Review

Memento Film Review

To call this an intricate thriller would be an understatement. Film noir has never been so labyrinthine. Leonard, the central figure, played by Guy Pearce, is a mystery even to himself. Expensively-suited, driving a chic sports car, yet living precariously in seedy motels, he seems to be on a desperate quest to find his wife's killer and avenge her death.

He is also up against a rare form of amnesia which makes it difficult for him to remember what has happened to him in the immediate past, although he can recall his earlier life. In order to keep track of where he is and what he is doing he surrounds himself with reminders, and even uses his body as if it were a giant note pad. On his limbs and torso he has indelibly etched messages designed to jolt his deficient memory cells, but which serve only to magnify the enigma. Nothing is what it seems. Characters he has trusted turn out to be duplicitous, those who seemed dangerous could well be friends.

The structure of Christopher Nolan's fascinatingly original second film is determinedly non-linear. The same sequences are seen from different viewpoints, alternatively clarifying and muddling perceptions. It is edited like a random pile of mosaic tiles, but when the last one has snaps into place, a surprise sets the whole intrigue in motion again.

http://www.bbc.co.uk/films/2000/10/16/memento_2000_review.shtml

The Dark Knight Film Review

The Dark Knight Film Review

Overlong and overhyped but hugely entertaining... The Dark Knight

A sound like a batgloved fist smacking into a cupped palm is what this film delivers: only deafeningly amplified and clarified with crisp, digital precision. It is the sound of all other recent super-hero movies getting their asses well and truly kicked. The Dark Knight is strange, dark, grandiose and mad; it is overlong and overhyped but hugely entertaining. In a simple, physical sense it really is huge, with cityscape sequences filmed on Imax technology, that demand to be seen on the vast Imax screen. Watching the first dizzying, vertiginous overhead shot of the glittering skyscrapers and minuscule streets, I literally forgot to breathe for a second or two, and found myself teetering forward on my seat - timidly, I had chosen one high up at the very back of the auditorium - as if about to topple into the illusory void.
The Dark Knight is the continuation of British director Christopher Nolan's reinvention of the Batman story and it takes the story up to his primal confrontation with the Joker, the villain who among the wrongdoer-gallery ranged against Batman is first among equals: here leading an unspeakable cabal of wiseguys. The caped crusader himself (although this camp designation is now not used) is again played by Christian Bale, clanking around in a kind of titanium-lite exoskeleton and making use of a heavy-duty Batmobile so macho and military-looking it makes a Humvee look like the kind of Prius driven by Gok Wan. Otherwise, he bops around town on a brutal motorbike with wheels the size of rubber boulders, cape fluttering in the slipstream.

The Joker is played, tremendously, by the late Heath Ledger. His great grin, though enhanced by rouge, has evidently been caused by two horrid slash-scars to the corners of his mouth, and his whiteface makeup is always cracking and peeling off, perhaps due to the dried remnants of tears, making him look like some self-hating Pagliaccio of crime, sweating backstage after the latest awful spectacular. Ledger has a weird collection of tics and twitches, kinks and quirks; his tongue darts, lizard-like, around his mouth, a little like Frankie Howerd, or perhaps Graham Kerr, the galloping gourmet of 1970s television.

Batman is still a reasonably novel figure in Gotham city as the action begins. They still refer to this dubious vigilante with a retro-sounding definite article: he is "the Batman". And there is a new, conventional crime fighter in town: the handsome, dashing district attorney Harvey Dent, played by Aaron Eckhart, a man who believes that the rule of law has to be upheld by a democratically accountable person, not some shadowy figure of the night. To the chagrin of Batman and his far-from-mild-mannered alter ego, billionaire Bruce Wayne, Harvey is dating the love of Batman's life: legal eagle Rachel Dawes, played by Maggie Gyllenhaal. Gary Oldman plays Lt Gordon, before his historic promotion to "Commissioner" status. Michael Caine and Morgan Freeman provide droll performances as Wayne's ancillary staff, his butler Alfred and his Q-like costume designer, Lucius Fox.

There are some really exhilarating set-pieces, especially the one that kickstarts the proceedings: Nolan starts off with a high-tension, high-anxiety bank raid, carried out by a dodgy crew all in Joker masks, all whispering among themselves about the crazy guy in clown makeup who hired them to do the job. Why isn't he there personally? Wait - is he there personally?

With some big masculine face-offs, and a high-speed convoy scene, Nolan appears to have imbibed the influence of Michael Mann, and a sequence in Hong Kong has a touch of the Infernal Affairs movies. Various debates about Jack Bauer/24-type torture methods appear to show modern Hollywood discovering, if not a conscience exactly, then a certain self-consciousness. But the film is better at pure action - particularly one awe-inspiring chase scene Nolan later contrives between Batman on his bike and the Joker at the wheel of a enormous truck. The conclusion to this sequence had the audience in a semi-standing crouch of disbelief.

Perhaps the most bizarre moment comes when the Joker has evidently abducted some unfortunate from the local psychiatric hospital to "impersonate" Batman's lost love: this man does appear to resemble Maggie Gyllenhaal: a joke of considerable malice, sophistication and lack of taste.

Nolan has made an enormously profitable smash with the Batman franchise, but at the risk of sounding priggish, I can't help thinking it may be a bit of a career blind-alley for the talented director who gave us brilliant and disquieting movies like Following (1998) and Memento (2000), whose inventions still linger in the mind. The Dark Knight's massive box-office success has surely given Nolan the means to write his own cheque, and in addition something sweeter still - clout. I hope that he will use it to cultivate movies that are smaller and more manoeuvrable than that great armoured Batmobile.

http://www.guardian.co.uk/film/2008/jul/25/actionandadventure1

The Godfather Film Review

The Godfather Film Review

In "You've Got Mail" (1998), Tom Hanks suggests the answers to all life's questions can be found in "The Godfather". Not as ridiculous as it sounds, because Francis Ford Coppola's masterpiece reveals something new every time you watch it.

The family that slays together, stays together, and that's certainly the case for the embattled Corleone clan. Caught up in the middle of a bloody gang war, Don Vito's doomed quest to make his family respectable is dealt a body blow when his youngest son Michael, a decorated war hero and lawyer, is inexorably sucked into a life of murder and violence.

Marlon Brando was considered box office poison when he was cast as the ageing Don, and his hamster-cheek performance launched a thousand parodies (Even Brando got in on the act, mocking himself mercilessly in "The Freshman" (1990)). His performance as Don Corleone won him an Oscar and sealed his reputation as perhaps America's greatest film actor - a claim he bolstered with "Last Tango in Paris" later that year.

Packed with more classic lines than any movie deserves to have ("I'll make him an offer he can't refuse"), "The Godfather" won an Oscar for best picture, became a world-wide smash, and marked career watersheds for James Caan and Robert Duvall.

For Al Pacino and Francis Ford Coppola, however, the best was yet to come with "The Godfather Part II" (1974), one of the few sequels to surpass the original.


http://www.bbc.co.uk/films/2000/12/15/the_godfather_1972_review.shtml

Quentin Tarantino - Inspirations for Pulp Fiction





Oscar award winning director Quentin Tarantino talking about his inspirations for his characters and settings.

Quentin Tarantino is the director of award winning thriller films. He first directed and co-wrote a movie called "My Best Friends Wedding" in 1987, however during the editing the final reel of the film was damaged in a lab fire that broke out. Tarantino's 1992 "Reservoir Dogs" was an immediate hit. "True Romance" was originally Tarantino's screenplay for "My Best Friends Wedding", "True Romance" was released in 1993. After offers from Hollywood for projects such as "Men In Black" Quentin Tarantino retreated to Amsterdam to write his script for "Pulp Fiction". Tarantino's third feature film was "Jackie Brown" an adaptation of "Rum Punch". He then planned to make a war film (inglorious bastards) but postponed it to direct "Kill Bill" with leading actress Uma Thurman. Quentin Tarantino then co-directed "Grindhouse" with Rodriguez released in 2007. Tarantino's last film he directed was "Inglorious Bastards" in summer 2009; which went on to be Tarantino's highest grossing film in both The United States and worldwide.

Femme Fatale

Femme Fatale

Femme Fatale is french for "Fatale Woman".
A femme fatale is a seductive woman who lures her lovers into dangerous or compromising situations. She uses lying or coercion to talk herself out of things. She may also be a victim (or say she is), caught in a situation where she cannot escape.
A good example of a femme fatale is Basic Instinct - Catherine Tramell: Played by Sharon Stone in both basic instinct 1 and 2. Catherine Tramell is a murder suspect and love-interest of the detective Nick Curran. She was nominated to be a member of "Best Villians" She has been said to be "One of the most evil characters to ever be created". She was also included in the best 250 fiction villian ever created.

Top selling thriller films

These are examples of top selling thriller films:
"The Godfather" "The Dark Knight"
"Psycho" "Fight Club" "Leon"
"The Third Man" "The Silence Of The Lambs" "Memento"
"The Usual Suspects" "Clockwork Orange"


Monday, 22 February 2010

The Sixth Sense

The Sixth Sense
Thriller research





Director: M.Night Shyamalan
Genre: Thriller, drama, mystery
Year made: 1999
Production Company: Bary Mendel Productions, Hollywood Pictures, The Kennedy/Marshall company, Spyglass Entertainment.


The Sixth Sense explores the supernatural
from a humanised perspective. This thriller film ultimatley revolves around the communcation with each of the characters. The complex narrative structure confounds understanding until its very end.


1. M.Night Shyamalan immedietley uses thriller conventions. The first shot uses noir lighting. Showing a femme fatale dressed up in a formal dress and high heels walking down into a basement, an enclosed space.

2. The director uses voiceovers for important parts in the film. For example, when Dr Malcolm Crowe is talking to Cole about his pictures a voiceover is used to show Coles mother cleaning his room and finding one of his pictures with "i'll kill all you bastards" written on it in Coles writing and "someone stop the burning"

3. On the famous line "I see dead people" the camera zooms into Coles face to capture his emotions and bring the audience in to the action. This line leaves suspense and understanding to a few loose ends in the previous hour of the film.

4. M.Night Shyamalan uses a series of long shots of Dr. Malcolm Crowe throughout the film to show his progression towards the end of the film.

5. The director uses colour to signify danger. A red door handle signifys danger. Cole is wearing a red jumper when he is attacked. A red ballon floats to the top of a big staircase just before he is attacked, the ballon popping shows the danger Cole is about to face. A slow motion shot ends the scene, as Cole is carried out by his mother. This is the kind of shot you would commonly find in a war film to show grief and suspense.

6. Dr Malcolm Crowe is presented just as a normal, successful doctor or psychologist, he wears the same grey suit throughout the film and always has a good appearence.
The central character, Cole Sear is stereotyped the opposite as to what most young american boys are seen as. Cole seems somewhat intelligent and well-mannered whereas young boys are mostly always seen as a handful and out-of-control. We see this contrast with some of Coles classmates who seen to bully him and dislike him because he is 'different'. The relationship between Cole and Dr Malcolm Crowe makes Cole seem more mature in that aspect. The director presents Coles mother as a skeptic single mother who is struggling to reach out and communicate with her son, living a hectic lifestyle she seems to have little time for her son. Ultimatley creating space between her and Cole. The moment where Coles mother and the audience realise her alienation from Cole is when she realises a flicker of light in every photograph of Cole, she notices that it isnt normal. This point is enhanced by the diegetic music that his mother is listening to through her headphones, this looks like she is choosing to be seperate from the rest of the world, this is in contrast with the reality as the subject matter in this scene is very important.

7. The demographic user ratings for this film is "males under 18" and "aged under 18" both at 8.6%. The director has inadvertently appealed to this demographic by his story line, the way Cole plays with his toy soldiers and hides in his den which is his "safe zone" it is also young people or young males that would have an imagination like Coles or believe they have had encounters with the supernatural. The casting is alsp appealing to this demographic as both of the main characters are male and Bruce Willis is a male movie icon who is famous for starring in action films which is also appealing to this demographic.

8. The target audience is male and is aimed at a mainstream audience, however it is way more niche than that. This target audience may also enjoy "What lies beneath" because of its supernatural element to the plot. The stylistic features of both films are similar, such as the minimal characters and emphasis on contact with the supernatural. It was made and produced at the same time, possibly competing with the sixth sense.

9. The Sixth Sense has an unexpected twist and the audience is shocked by the outcome. This is in contrast with modern thrillers such as: "Pulp Fiction"

Thursday, 4 February 2010

Audience Research

How do you find out about film releases? How do you view films?
How do you view films?
1. Gender: Male
Age: 16
Answer: I normally download recent films off the internet because they're too expensive to buy or rent.
2. Gender: Female
Age: 19
Answer: I just watch the films that are on television at the time. I dont have time to go to the cinema.
3. Gender: Female
Age: 21
Answer: Sometimes i rent films or buy cheap ones from the shop. I occasionally go to the cinema if i hear a good film is out, i will make the effort to go and see it if it's worth it
Where do you find out about film releases?
1. Gender: Male
Age: 18
Answer: Mostly adverts on television or just off friends
2. Gender: Female
Age: 23
Answer: From posters advertising the film mostly, i dont really watch many films anymore. I only ever hear of the big breakthrough films.
3. Gender: Male
Age: 14
Answer: Off the internet or on television when an advert comes on. I always see posters around the city telling you to watch this new film. its intriguing so i must go and see it.

Wednesday, 20 January 2010

Thriller Film Audience Research Proposal

What I want to find out:
1. The audience expectations of independent/mainstream film
2. How do people find out about film releases? Where do people view films?
3. What are audiences expectations of sub-genre crime thriller?
4. Where would you expect a crime thriller to be set? - Inner city, Suburbs, Countryside, Isolated, populated, hi-life, low-life.
5. What do you expect of the 'femme fatale' in thrillers?
How I am going to find out:
1. Interviews - with clips - 6 people.
2. Questionnaire for initial research
3. Filmed interviews with a range of age/gender
What I expect to find out:

Monday, 18 January 2010

Location shots



























Our setting for our thriller film is located at the Cathedral.
We thought to place our thriller film here becuase of the significance of the religous landmark. The idea of having a crime thriller at the Cathedral with these shifty events happening on the grounds was a sort of oxymoron. It also offered lots of small hidden places where we could film, the main attraction to having our film located at the cathedral was the river which would have acted as a dead end of some what.
As soon as it snowed we filmed our thriller film and we were more than happy to have the bright white snow for our setting. It reminded me of the thriller film "First Snow".




Our Initial Ideas For Locations:

In the beginning, we suggested many different ideas for our locations.
We thought of small, dark alley ways - enclosed spaces to emphasize the feeling of fear or claustrophobia. For instance in the thriller film "The Third Man" which continuously use the effect of enclosed spaces.

We also suggested car parks which is used in films such as "Jackie Brown" and Thelma and Louise" where their defenceless is emphasized and the sense of exposure is present.

We thought of using a block of flats to set our thriller film because it would give the audience a feeling of enclosure and uncomfortableness. Like in the film "The Secret Place" a scene is set at a block of flats in a war-torn area of the East end.

We all agreed on shooting our thriller film at the cathedral because it would create an eerie tone to the film. We also liked the idea of the cathedral being a religous place where people go to praise God. However we used the contrast with placing our crime thriller here to connote the idea of going against the laws of nature and betraying God. The film "In Bruges" also inspired us to shoot our film at the cathedral as it includes similar architecture and a river. We even considered in performing a few of the shots from the film.